I found this at a thrift store a while ago and thought it’d be something people might be interested in having some nice, high-res photos of for reference. Arno is an amalgam of the Loomis planes and a ‘planes of the head’ sculpture by John Asaro. Asaro was, as far as I can gather, a student of. Documents Similar To Planes of the Head – John Asaro. Anatomy Intro. Uploaded by. vinicius Successful Portrait Painting. John H. Sanden. Uploaded by.

Author: Yozshujind Goltigami
Country: Germany
Language: English (Spanish)
Genre: Personal Growth
Published (Last): 22 February 2008
Pages: 477
PDF File Size: 3.73 Mb
ePub File Size: 17.47 Mb
ISBN: 569-3-91790-995-2
Downloads: 39377
Price: Free* [*Free Regsitration Required]
Uploader: Juzshura

There basically two clashing schools in arts training. It might be a good idea to try a few little ones first though. I imagine the thought and work involved in making your own head pays off if well in terms of retaining a basic idea of how to draw a well proportioned head. Made me recollect something — bet you gonna like it too: An extreme example might be painting over prints of photos, which some painters do.

Planes of the Head – Artist’s Mannequin Head by John Asaro

This is called sub-surface scattering and all the current renders have it as a default feature. He simplifies the form of a head down into the main planes and proceeds to draw them from a variety of perspectives, and to draw them very well. Are there any general pointers or tips that would be helpful for me to know going in? But once I started building up the clay around the head, the weight of it started dragging the head down the wood which then started poking out of the top, resulting in that odd lump on the top of his head.

Watts is plabes teacher-student steps removed and not a direct asago of Frank Reilly. Thank you for an interesting post. How many paintings did Vermeer make a year? Interesting point made by the forensic artist. You’ll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.


I think this practice helped me immensely. Thanks for the info on the Asaro head. Hi Deirdre, Thanks for the info on the Asaro head.

Are you studying with Jeffery Watts? Students and teachers can also quote images or text for their non-commercial school activity.

One says contour is everything, use measuring tools. By the way, David Kassan is an incredible draftsman. Russians I think got it from the Germans in ds. I felt that CA. So what did I learn from Arno, and from his smaller Plasticine prototypes? The point about values is particularly interesting.

All times are GMT Too many of the interlocking edges of the planes are undefined, even in the first drawing. What happens where the eye line meets the side of the socket going down to the cheek in the first drawing? It has gone to meet Arno in the great hereafter. I acutally think Vermeer is the only exmaple of an old master who worked very, very optically, and this is because he worked from the camura obscura.

You did recommend to me the Andrew Loomis book on drawing the head and hands, and I bought it straightaway. Dinotopia is a registered trademark of James Gurney.

Does it dry hard in the air do you know? But without a clear understanding of the structure, that would be hard if not impossible. I asar this blog, Paul. February 3rd, 1. They were fun to do, and instructive, but I felt the need to do something life-size in order to properly resolve the planes, so the final head was made from clay.

Planes of the Head with Loomis – Feeling the Form

But I think acquiring the skills of representation, while difficult, is not enough look at the thousands of copyists at Dafen in China!!! Draw eyes — sculpt them first, bead nose — sculpt it first, etc. Ladies and gentlemen, meet Arno:.


I haven’t worked in Sculpey, or very much in any clay-like material for that matter. Quite nice and I agree — sculpt everything you draw first. They also felt a lot better under the pencil. I share my work, my evolving process and what knowledge I’ve gained on my own learning journey here, in the hope that it might help you along on yours.

What this head represents to me is a kind of half way house between an imagined head and working from observation. December ths, After this one, I did a series of copies of Sargent drawings in the same way, which proved very instructive. Johhn days, I see on the one hand art that is made as kind of social questioning, more philosophy than anything else, artists acting or at least purporting to act as the social conscience of johnn times. I have bought a skull instead, which has been useful for getting to grips with the actual size and head-ness of a head so much bigger than I realised.

The Bargue approach stresses working from the general to the specific, getting the large shapes right first and then refining down. Have you seen this article on the history of sight size? Don’t worry, it happens!

Feeling the Form – Loomis and the Planes of the Head

Any thoughts on that? I just use common or garden sketch books. I’m curious to try this. Once a student has had practice drawing and painting from idealized plane heads, and even sculpting their own breakdowns, then I think the next best step is to look at real human models and break the planes down in a unique asarro for that individual model.

Please ensure images are below px and kb.