Rap Music and the Poetics of Identity has 18 ratings and 1 review. sera said: This is no BS theory here, it’s a super thick read. I’m only about 40 pages. Download Citation on ResearchGate | Rap Music and the Poetics of Identity by Adam Krims (review) | Department of Music, McMaster University }. Yayoi U. Everett; Adam Krims. Rap Music and the Poetics of Identity. Cambridge: Cambridge University Press, , Music Theory Spectrum.
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Want to Read Currently Reading Read. I’m only about 40 pages into it but it’s really interesting.
Matthew Campbell marked it as to-read Jan 16, It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Stephen Adma marked it as to-read Jun 23, Boima Tucker marked it as to-read Feb 26, Mahriana Rofheart added it Sep 01, Book titles OR Journal titles.
Rap Music and the Poetics of Identity – Adam Krims – Google Books
Receive exclusive offers and updates from Oxford Academic. Ryan points out, however, quoting Lakota author Vine Deloria, Jr: BookDB marked it as to-read Sep 21, The academy thus is moving beyond the limitations of linear intellectual analysis. Cambridge ; New York: Through a trickster discourse, the narratives and art in this study deconstruct stereotypes and misrepresentations recycled through the past five centuries. Whereas a great deal of popular music scholarship dismisses music analysis as irrelevant or of limited value, the present book argues that it can be crucial to cultural theory.
Rap music and the poetics of identity
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Drawing extensively on recent scholarship in popular music studies, cultural theory, communications, critical theory, and musicology, Krims redefines ‘music theory’ as meaning simply ‘theory about music’, in which musical poetics the study of how musical sound is deployed may play a crucial role when its claims are contextualized and demystified.
Weston Bonczek marked it as to-read Jul 31, It also argues that current skeptical attitudes toward music analysis in popular music studies are misplaced and need to be reconsidered if cultural studies are to treat seriously the social force of rap music, popular musics, and music in general.
Cambridge University Press Amazon. This criticism notwithstanding, Krims, himself a rap performer and dedicated fan, as well as an academic a music theoristreferences an enormous amount of music, demonstrating a staggering knowledge of the style.
Rap Music and the Poetics of Identity
His overriding concern is in delineating how rap music serves as a means through which identities are shaped idebtity contested; hence, my one concern with the book is that the crucial issues around gender in rap music are not addressed in a very significant way.
Through poetivs trickster discourse, the narratives and art in this study deconstruct stereotypes and misrepresentations recycled through the past five centuries. This book is not yet featured on Listopia. Thomas Newbold-Collins rated it liked it Jan 01, Cambridge University Press, Krims.
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It is unique for bringing together perspectives from music theory, musicology, cultural studies, critical theory, This is the first book to discuss in detail how rap music is put together musically. Read, highlight, and take notes, across web, tablet, and phone. Harold Pan marked it as to-read Dec 09, Summary This is the first book to discuss in detail how rap music is put together musically. Ian rated it really liked it Jan 19, In the academy these productions of knowledge now are being examined and interrogated to challenge metanarrativesand to understand why and how respective cultures made meaning of reality through time and circumstance.
This is no BS theory here, it’s a super thick read. Jamila marked it as to-read Dec 14, Books by Adam Krims.